Venom’s style of mixmaking is defined by his continuous efforts to bring something new and fresh to the table. With his March 24th release of Divided Paths, after a five month hiatus from (basketball) mixing, he continues taking the road less traveled. It’s a somber blend of pathos and nostalgia, and reflects on the tumultuous, fragile relationship between the “best little man-big man tandem ever created”, Kobe and Shaq.

The mix is nothing short of remarkable. Bruce Springsteen’s song The Wrestler brings a thoughtful tenderness to the story. The rich color correction contributes to the nostalgic feel of the mix. The audio commentary and special effects are used sparingly, but are effective and further the story rather than hinder it. His choice of audio brilliantly reflects on each stage of their relationship, from the beginning where Shaq denies that there is a problem, to Shaq’s silent response to a question about their cold pregame greeting.

However, Venom’s poetic use of symbolism is what elevates Divided Paths. With Divided Paths, Venom has cemented himself as one of the best, and belongs in an exclusive category of mixmakers that have earned the title of visionary. If nothing else, Divided Paths is a beautiful testament to two great players, two flawed men, and a friendship that was eclipsed by egos.